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When Reggae Went Digital
In 1984, Kingston’s Waterhouse community was marked by poverty and violence, but also vibrant musical energy. Among the local talent was Noel Davey, a 26-year-old melodica player. After receiving a Casio MT-40 keyboard from a friend, Davey discovered a preset rhythm that inspired the revolutionary digital riddim behind “Under Mi Sleng Teng.”
Recorded with vocalist Wayne Smith, “Sleng Teng” became one of Jamaica’s first digital reggae tracks, sparking a new sound in dancehall. Despite early skepticism from producers, the riddim caught fire after producer Lloyd “Prince Jammy” James refined it and premiered it at a local dance. Its success made Jammy a legend and “Sleng Teng” one of the most versioned riddims in reggae history, used in over 500 songs.
The riddim gained international fame after a 1985 radio clash between UK DJ David Rodigan and Jamaica’s Barry G. Artists from 2 Live Crew to Snoop Dogg later sampled it. The original bass line was unknowingly created by Japanese Casio engineer Okuda Hiroko, who aimed to make a rhythm easy to toast over.
Though “Sleng Teng” reshaped reggae, sidelining traditional musicians in favor of digital production, Davey initially received little recognition or royalties. A later deal brokered by producer Gussie Clarke ensured he received credit and compensation. Reflecting on the journey, Davey said: “Many great moments.”
Credits to By Patricia Meschino
Aug. 8, 2025